August 2002
The Wittig Report - on the interface
between Life and Art
Welcome to the Wittig Report.
On the one hand there is 'Art,' and on the other hand, there is 'Life,'
...and somewhere in the middle, they meet.
July was hot, so I declared it a 'vacation' of sorts... meaning I worked about
as much as usual, but got a lot less done than I do in cooler months. One thing
I did, was to turn my focus to 'sketching', as opposed to more formal
renderings. By definition, a sketch is a hasty or undetailed drawing or
painting, and yet sketching is a skill that in my opinion, every painter should
acquire, but most of us wind up not practicing very much, because we are too
intent on presenting (and selling) our 'best' work. Besides... July was so hot,
sitting outside (in the shade) with a sketch pad, was a lot more interesting an
idea than sitting inside, at my sweltering easel, for any great length of time.
A business is as honest as its advertisements.
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July 2002, eleven sketches:
IcePlant - Charcoal on Paper
- http://www.robertwittig.com/full282.html
PlantCharcoal - Charcoal on
Paper - http://www.robertwittig.com/full283.html
UtilityPole - Charcoal on
Paper - http://www.robertwittig.com/full284.html
NewelPost - Pencil on
Paper - http://www.robertwittig.com/full285.html
WindowSeat - Pencil on
Paper - http://www.robertwittig.com/full286.html
HoseTower - Pencil on
Paper - http://www.robertwittig.com/full287.html
ClothesLine - Pencil on
Paper - http://www.robertwittig.com/full288.html
PimpSlam - Pencil and Chalk
on Paper - http://www.robertwittig.com/full289.html
LimaPicem - Pencil and Chalk
on Paper - http://www.robertwittig.com/full290.html
TreeRoots - Oil on Canvas - http://www.robertwittig.com/full291.html
TreeRed - Oil on Canvas - http://www.robertwittig.com/full292.html
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Article: EBay Revisited - 3 Months
Later
"If a dealer were to walk
up to me tomorrow, and off to represent my work... assuming I thought well of
the dealer as an individual... I would probably say yes, at least to see what
happened. But I have abandoned my search for a dealer or gallery, to represent
my work. In time, I will build a name for myself, through my own efforts. After
that has been accomplished, I suspect that I will find dealers coming to me,
asking to represent my work. In this respect, finding a dealer is like getting
a bank to loan you money... both are happy to serve you, if you have enough of
each one's particular collateral, to make their services un-necessary."
To read the article, click here: http://www.robertwittig.com/paper46.html
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Featured Artist - Paul Roark
I found this guy while doing some research on
the Epson 3000 printer, with a mind toward producing my own work in Black and
White. He is primarily a photographer, and his work is very impressive. In his
words:
"Although I have been a
traditional darkroom printer for years, technology
has now reached the point where, in my view, the latest digital printing
processes have surpassed the traditional silver print in most
respects. As such, while I still will print special-order, selenium-toned
silver prints, I recommend and use this new digital process for most of
my display prints."
To
see Paul Roark's work, click here: http://home1.gte.net/res0a2zt/photos.html
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Questions, comments, submissions
I'd be glad to hear from you. If you have any questions, comments,
rebuttals, ideas for future articles, or submissions of your own, contact
me at wittig@robertwittig.com and I
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bottom of any article you have accessed. thanks,
-wittig