November
2001
The
Wittig Report - on the
interface between Life and Art
Welcome to the Wittig
Report. On the one hand there is ‘Art,’ and on the other hand, there is ‘Life,’
and somewhere in the middle, they meet.
It takes a lot longer
for a slow medium like painting to begin to register world-changing events like
the destruction of the World Trade Center, along with the people who were in it…
and in the airplanes used to destroy it… and the Pentagon, and its inhabitants.
Words come first… paint waits patiently, and says what it feels only slowly,
like the changing of the seasons. People continue to die daily as a result of
that tragedy, only now, a lot fewer of them are Americans, dying on American
soil. Violence begets more violence, same as it ever
was.
If
I do my job well, recording these events in paint and
print…
…
both sides should want me dead, before I finish.
Oil on Canvas –
‘Gasoline Alley’: http://www.robertwittig.com/full221.html
Chinese Ink on Paper –
‘Ink Woods’: http://www.robertwittig.com/full222.html
Chinese Ink on Paper –
‘Bike Red’: http://www.robertwittig.com/full223.html
Chinese Ink on Paper –
‘HatMen’: http://www.robertwittig.com/full224.html
Chinese Ink on Paper –
‘HatMan 1’: http://www.robertwittig.com/full225.html
Gouache on old target
– ‘HatMan 2’: http://www.robertwittig.com/full226.html
The
Politics of Art
“I vaguely
remember around the third grade, a few teachers trying desperately to explain to
a bunch of us school kids, the theories of Modern art, while we leered knowingly
at them, knowing full well in our as yet unpolluted child-brains, that the
grownups were full of bull, and that this stuff was just stupid gobs of paint
whipped onto a canvas by some goofball, and that only a dope would ever actually
pay money for it. I vaguely remember school children chanting 'artsy-fartsy,
artsy-fartsy, artsy-fartsy, as we ran out into the schoolyard, to get on with
the business of growing up. Shortly thereafter, art classes were cancelled...
permanently…”
I opened
a new section to the site, dealing in computing and Internet issues, that is
accessible through the ‘Computing Pages’ link at the top of my MenuBar, or
directly accessible through: http://www.robertwittig.com/compute/index2.html
where I will begin to post articles and tips on various facets of computer and
Internet related subjects. My first article
is:
What are
computer virii, who writes them, and
why?
I’ve known Larry for
about a year on-line, and after numerous conversations, discovered that he lived
a few miles from my home. His work is very respectable, at least to my
‘realism-loving’ eye. Decide for yourselves.
In his own
words:
“Like most artists, I
am not only interested in my own art but also in art generally and in the issues
that pertain to art currently and historically.
Therefore I plan to
utilize this site to feature some writing in addition to showing my artwork.
However, this will not be done to justify my artwork. I believe that all art
stands on it's own merits and not by what I or anyone else might say about it.
Indeed, one of my opinions is that art criticism
has propped up a lot
of art that would have little if any appeal without it. This is not to say that
being utterly naive is better, but only that it is important to distinguish
between practical information and sophistry.”
To check out Larry’s
work, click here: http://www.robertwittig.com/larry/index.html
Questions,
comments, submissions
I’d be glad to hear
from you. If you have any questions, comments, rebuttals, ideas for future
articles, or submissions of your own, contact me at wittig@robertwittig.com and I will
reply promptly, and include your response in an upcoming issue, where
appropriate.
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For further
exploration, my website address is: http://www.robertwittig.com/ , or simply
click the ‘Home’ link at the bottom of any article you have accessed. thanks, -wittig